| Alternative title(s) | |
| Antiquity game | EAG† |
| Release | Apr 20, 2018 |
| Publisher | Sony Interactive Entertainment |
| Developer | SIE Santa Monica Studio |
| Platform(s) | PS4; Windows (2022) |
| Mode | Single-player |
| Genre | Action-adventure; role-playing game; hack and slash; hero-based |
| Setting | Mythological storyworld based on Norse mythology |
| Notable charactersB | Zeus, Athena |
| DLC |
Bibliography
Clare, R. (2018). ‘Ancient Greece and Rome in Videogames: Representation, Player Processes, and Transmedial Connections’. Doctoral Thesis.
Conway, S. (2020). ‘Poisonous Pantheons: God of War and Toxic Masculinity’ in Games & Culture 15 (8), 943-961.
Daneels, R.; Malliet, S.; Geerts, L.; Denayer, N.; Walrave, M.; Vandenbosch, H. (2021). ‘Assassins, Gods, and Androids: How Narratives and Game Mechanics Shape Eudaimonic Game Experiences’ in Media and Communication 9 (1), 49-61.
Garfield, A.; Manders, A. (2019). ‘Video Games, Homer to Hesiod: What Ancient Greek Content Do Video Game Players See?’ in Proceedings of the 2019 11th International Conference on Education Technology and Computers, 190-195.
Morgan, A. (2020). ‘Myth and Legend: Exploring Mythologies within Blockbuster Games’ [Twitch stream]. ArchaeoGaming Con 2020. Viewable here.
Švelch, J. (2023). Player vs. Monster. The Making and Breaking of Video Game Monstrosity. Cambridge: The MIT Press. (Ch. 3, The Art of the Monstrous)
Additional keywords
gods
Paizomen 